Making an eFoil VFX promo with one battery and no gen AI

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30 June 20252:42825 views on YouTubeWatch on YouTube

Most eFoil channels are made by riders who learned to edit. This one is the other way round. Before Verdant Ride there was a career in visual effects, an award winning one, and this episode is a deliberate attempt to find out whether any of that still works after years away from it.

A creative career that got managed away

The story told at the top is a familiar one to anyone who has been good at a craft and then successful at it. The work kept pulling further from the creative side and closer to running the production studio and handling the business. Other businesses followed, and the entrepreneur gradually replaced the artist. The affection for the work never went anywhere, but the hands had not been used on it in a long time. That is the actual question the episode sets out to answer: are the chops still there.

Three rules, set before starting

The constraints are worth stealing if you make anything yourself. One eFoil battery of shooting, no more. The reason given is honest: without a limit the shoot expands to fill the whole summer and the project never gets finished. No more than four days in post, which forces decisions instead of endless revisions. And zero generative AI, which is the one that shapes the result most.

Where the line on AI actually sits

The no generative AI rule gets defined rather than just declared, and the distinction is a sensible one. After Effects, Maya and Photoshop are all in play, and all of them now ship with machine learning under the hood. Using a magic wand selection or an automatic rotoscope tool is treated as a faster version of a job you were always going to do by hand. Typing a sentence and having the software produce the graphic for you is a different thing, and that is what is being ruled out. Everything else is old tools and old tricks, used the way they were used the first time round.

Why the constraint matters to the result

What you are watching, then, is hand made effects work over footage from a single battery, finished inside four days. Judge it on that basis. The interest is not only in whether the shots land but in seeing what a fixed budget of time and battery actually produces when someone with real technique decides to spend it on eFoiling.

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